sonification

24 hours of hourly forecast for Andover CT, Oakland CA, and London ON, compressed into 48 seconds. Three voices in a chord — each location's weather sonified simultaneously. Pentatonic scale ensures harmony regardless of temperature.

The first 8 seconds expanded into a 2-minute composition. Oakland enters alone in the fog. Andover joins with rain. London blooms bright when the full chord hits. Six sections: intro, joining, full chord, development, climax, resolution.

A chiptune in F Lydian — bright, floating, whimsical. Four channels: square wave lead, square wave arpeggio harmony, triangle bass, noise percussion. A-B-A-C structure extended across nine sections. Different from the weather melodies — this one is just for fun.

SID-style chiptune faithful to C64 constraints — 3 voices only. Each voice can switch between pulse, triangle, sawtooth, and noise waveforms. Features ADSR envelopes, arpeggio chord illusion, bass+drum voice sharing, and a resonant low-pass filter sweep. Bouncy crack intro energy, 135 BPM, C major.

Cape Henry, Virginia — 29 harmonic constituents from NOAA station cb0102. Committed. Chord changes are events, not crossfades: A minor at neap, A major at spring, Am again as the tide falls. Overtides enter as real voices at 50-64% of the root — not background color. The tidal pulse drives dynamics: the piece breathes with a 10-second rhythm under a 2-minute spring-neap arc. The M2 harmonic series (A2-A3-E4-A4) is the chord skeleton. The minor/major third is the one grid element not in the data — the human choice that makes it music.